YenraPhotography

Photograph · Otakon 2010

Tadase Hotori and Kiseki Beneath Two Gold Crowns

Tadase Hotori and Kiseki Beneath Two Gold Crowns
Cosplayers portraying Tadase Hotori and Kiseki from Shugo Chara pose in gold crowns beside the glass balustrade.
View larger · Photograph: Yenra

From the photo record

Photographer
Yenra
Event
Otakon 2010
Captured
2010:07:31 10:56:50
Camera
NIKON D300
Lens
18.0-200.0 mm f/3.5-5.6
Focal length
38.0 mm
Aperture
f/5.0
Shutter speed (seconds)
1/200
ISO
200
Copyright
Yenra Corporation 2010
More recorded details
Suggested title
Shugo Chara Cosplayers Pose at Convention
Summary
Two individuals dressed as Tadase Hotori and Kiseki from Shugo Chara pose in front of a building with glass windows and railings.
Profile
Camera Vivid v4
Color temperature
6038
Editing software
Adobe Photoshop Lightroom 6.9 (Windows)
Approximate focus distance (m)
3.76

Detailed description

Two gold crowns rise above purple and blond wigs in this portrait of Tadase Hotori and Kiseki from Shugo Chara. The figures stand close together beside a glass balustrade, their costumes presenting two different interpretations of formality. One is expansive, with a red cape, thick white edging and rounded blue trousers; the other is more compact, with a checked shoulder cape and a hand planted firmly at the hip. The white trim has a dense, curled texture that catches light unevenly along its length. It draws a large crossing shape over the blue costume, framing the hands turned upward on either side. The cape's red sections remain visible near the shoulders, adding warmth beneath the purple wig. By comparison, the neighboring black-and-white check is made of many small, regular intersections. White cuffs and edging enlarge that pattern into a clear outline around the upper body. Both crowns have simple pointed silhouettes. Repeated at nearly the same height, they connect the pair despite the differences in color, texture and pose. Their yellow-gold surfaces stand out against the bright windows behind them. The facial expressions are comparatively restrained, allowing the costume shapes and open-versus-contained hand positions to carry much of the performance. The glass railing reveals another level of convention activity below, including a distant costumed figure. Reflections, metal rails and the pale building beyond add straight lines around the softer clothing. A large concrete column at the left gives the portrait a solid boundary. These architectural elements keep the image firmly located in the convention center, where two carefully assembled characters share a brief pause above the movement of the crowd.

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