YenraPhotography

Photograph · Otakon 2010

Blue, Red and Purple on the Terrace

Blue, Red and Purple on the Terrace
Three cosplayers pose on the terrace: a blue-wigged figure in white, a red-hatted guitarist and a purple creature costume with oversized claws.
View larger · Photograph: Yenra

From the photo record

Photographer
Yenra
Event
Otakon 2010
Captured
2010:07:30 17:30:07
Camera
NIKON D300
Lens
18.0-200.0 mm f/3.5-5.6
Focal length
28.0 mm
Aperture
f/5.0
Shutter speed (seconds)
1/250
ISO
200
Copyright
Yenra Corporation 2010

Subjects: ycard

More recorded details
Suggested title
Urban Cosplay Scene
Summary
Three individuals dressed in elaborate costumes stand on a paved surface surrounded by greenery and buildings.
Profile
Camera Vivid v4
Color temperature
4768
Editing software
Adobe Photoshop Lightroom 6.9 (Windows)
Approximate focus distance (m)
3.76

Detailed description

Three sharply different silhouettes share the terrace: a compact white costume with bright blue hair, a tall red hat above a guitar, and a purple creature-inspired outfit with oversized ears and claws. Their spacing leaves each figure clearly visible, while the central guitar and the raised purple hands establish a loose rhythm across the group. The left figure's folded arm is relatively restrained; the right figure adopts a broader stance, bringing the large claw shapes forward. Color gives the trio a strong internal organization. White and black trim set off the blue wig at the left, glossy red dominates the center, and purple with turquoise ear panels defines the right. The purple costume's white claw tips echo the pale outfit across the frame, creating a small connection between otherwise contrasting designs. The guitar adds a dark curved shape within the red, and the tall hat extends the central figure's outline well above the others. The terrace remains an active part of the photograph. Paving joints and canopy shadows divide the ground into overlapping grids. A camera rests near the lower-left edge, and other attendees appear farther back or at the frame's margins. Green planting separates the group from a city backdrop of brick and blue-gray facades. These ordinary details establish scale around the exaggerated costume forms. Light brings out different kinds of construction: the red material reflects in sharp streaks, the purple fabric appears softer, and the white outfit is articulated by its dark seams and panels. The portrait allows those differences to coexist without forcing a single mood or uniform pose. It presents costume-making as a collection of distinct visual languages, briefly brought together through a shared place, frontal attention and the act of standing for a photograph.

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