Photograph · Katsucon 2014
Soah and Habaek/Mui from Bride of the Water God

Habaek/Mui leans toward Soah’s cheek as she lifts a long red sleeve beside the bright lattice windows.
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Habaek/Mui leans close to Soah’s cheek while she looks toward the camera. Her raised arm opens a broad red sleeve, finished with a cascade of translucent white fabric. The two stand close enough for their dark hair and adjoining shoulders to form one compact upper shape. Below, the black robe and white skirt separate into strongly contrasting vertical forms.
Soah’s costume supplies most of the bright color. A red sash with narrow gold borders wraps her waist, and patterned burgundy trim follows the neckline and long front panels. Pink and red flowers decorate her black hair, with a red tassel falling beside the cheek. Fine pale cords loop over the waist and skirt. Habaek/Mui’s black robe has a subtle woven pattern that becomes visible in soft highlights. His matching red sash connects the two outfits, while a narrow striped prop and hanging tassels add small details near the center.
The full-length framing lets the garments meet the polished floor. Soah’s pale skirt spreads into a rounded base beside the darker robe, and a faint reflection extends the light fabric downward. Large oval and diamond window divisions rise behind them, their pale outlines tilted with the camera’s angle. Bright daylight gives the setting a luminous, open quality, while the subjects remain softly modeled in front. A glimpse of another blue costume appears beyond a window frame. The cheekward lean and extended sleeve make the portrait feel both intimate and ceremonial, with the bright architectural lattice giving the paired figures space around their richly layered clothing.
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